| Basic Info: |
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MUS 111/L (2 units total)
MWF, 11:00–11:50, Rm. MU270 |
| Instructor: | |
Timothy Howard, DMA
E-mail: thoward@drmusic.com
On-campus phone: 818-677-3179
Office hours (MU227): TBA |
| Description: | |
The three-year sequence of Musicianship classes (levels I–VI) provides a structured environment in which students develop the basic musical skills expected of those working toward the B.A. and B.M. degrees. The present class, Musicianship I, begins the course of study; focus areas at this level include music fundamentals, solfege and sight singing, rhythm performance, melodic and harmonic dictation, rhythmic dictation, basic conducting and structured improvisation. |
| Objectives: | |
- Develop the ability to sing (both prepared and at sight) major and minor modes, including stepwise motion and leaps in the tonic and dominant triads using solfege syllables and Curwen hand signs.
- Develop the ability to perform rhythms in simple and compound meters through one level of subdivision using the rhythm syllable system.
- Begin developing melodic, rhythmic, and intervallic dictation skills.
- Begin development of conducting patterns and skills (basic 2, 3 and 4 patterns).
- Become fluent in the recognition of, and ability to write, all major key signatures and notes in treble and bass clefs.
- Develop the ability to recognize tonic and dominant triads in notation.
- Compose simple rhythm and melodic patterns.
- Learn to recognize the size (quantity) of an interval.
- Develop the ability to do structured improvisation using melodic and rhythmic patterns.
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| Expectations: | |
There are no prerequisites for this class, although some prior musical study will be an enormous asset. |
| Required Course Materials (available in the Matador Bookstore): |
| | TEXT: Musicianship I Course Manual, California State University, Northridge
SOFTWARE: MacGamut Computer Program |
| Things to Bring to Each Class Meeting: |
| | Musicianship I Course Manual
Pencils with erasers |
| Grading Categories & Descriptions: |
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| A. |  | In-Class Solfege and Sight-Singing Performance | 13% |
| B. | | In-Class Rhythm Performance | 12% |
| | Individual performances of solfege and rhythm examples. These should be prepared for the appropriate week with the policies listed below, unless otherwise instructed by your course instructor. Where applicable, you must follow all tempo, Curwen, conducting and other indications on the page. |
| C. | | Written Assignments | 10% |
| | Fifteen written assignments for this class, covering many fundamental areas of music study, are found in your Musicianship I Course Manual. They provide practice in writing rhythmic and melodic patterns, and recognizing and writing major key signatures, intervals and triad qualities. Each week's assignment is due at the beginning of class on Friday; see below for homework submission policies. |
| D. | | Computer MacGamut Levels | 10% |
| | MacGamut is computer software you will use for independent ear training practice. Each category of work (scales, melodic dictation, etc.) has levels of increasing difficulty. The chart at the front of your Musicianship I Course Manual identifies the levels you must complete by the end of the semester; due date(s) will be announced in class. |
| E. | | Quizzes (5) | 15% |
| | Each of these quizzes may include dictation (melodic, rhythmic, harmonic), aural interval, chord qualities, and non-harmonic tone identification. Each quiz takes 15-20 minutes, typically at the beginning of a class period. The lowest score of the 5 will be dropped. |
| F. | | Written Tests (3) | 20% |
| | Each of these tests take an entire class period and may include any material (written, dictation, and/or identification) components studied to date. The lowest score of the 3 will be dropped. |
| G. | | Individual Aural Tests (2) | 20% |
| | Aural Test #1 (held midway through the semester) covers all solfege and rhythm reading exercises from weeks 1-8; Aural Test # 2 (held during Finals week) contains all sight-singing and rhythm reading exercises from weeks 9-15. Both tests include examples of unprepared sight singing and rhythm reading material. |
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| Grading Scale: |
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A 93.00–100.00
A– 90.00–92.99 |
B+ 87.00–89.99
B 83.00–86.99
B– 80.00–82.99 |
C+ 77.00–79.99
C 73.00–76.99
C– 70.00–72.99 |
No grades of "D" are given,
except for attendance reasons
F 00.00–69.99 |
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| For additional information, see How Grading Works, below. |
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| Calendar of Tests & Quizzes: |
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Quiz #1-September 10
Quiz #2-October 8
Quiz #3-October 22
Quiz #4-November 12
Quiz #5-November 19 |
Written Test #1-September 24
Written Test #2-October 29
Written Test #3-December 3 |
Aural Test#1-October 11-15
Aural Test #2-December 6-9 |
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| Typical Weekly Schedule: |
| | Monday: Prepared Solfege Performance exercises due; some dictation work.
Wednesday: Prepared Rhythm Performance exercises due; some dictation work.
Friday: Collect homework; dictation work; catch up with other unfinished business. |
| Test, Quiz, In-Class Performance and Homework Policies: |
| | - Tests and quizzes must be taken with the rest of the class when they are given (take time to put them on your calendar right now!). Missed tests and quizzes cannot be made up.
- In-Class Performance (solfege and rhythms) must be done on schedule; performance order will be determined randomly. Except as described below, missed performance opportunities cannot be made up, period.
- Homework Assignments are due at the beginning of class each Friday. A 25% penalty will be assessed for assignments turned in by the beginning of the next class period; no credit will be given for work submitted thereafter.
- Except as the Instructor may specify, all homework assignments, quizzes and written tests must be completed using pencil only.
- If you must miss class because of an authorized school activity (e.g., ensemble performance), you are responsible to submit any assignment(s) due the day of your absence prior to your absence. You also may make arrangements with the Instructor to do any in-class performance work you'll miss while away; you must make these arrangements well in advance, and you must do the performance prior to your absence.
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| Music Department Attendance Policy: |
| | Each absence in excess of 10% of total contact hours lowers the semester grade by one-third (+/-). Two "tardies" constitute one absence. |
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| How Grading Works in this Class: |
| | You receive both a "class" grade and a "lab" grade for this course. The "class" grade is calculated using the Grading Categories & Descriptions and Grading Scale guidelines above, minus any attendance penalty. Assuming you complete your Concert Attendance Requirement (see below), you receive the same grade for the "lab" portion of the course.
If you do not fulfill the Concert Attendance Requirement (see below), you will receive an Incomplete for the "lab" portion of the course. In order to clear this Incomplete, you must attend 13 concerts (yes, all 13–not just the balance of concerts you didn't already attend) during the next semester. No concert attendance is held over to the next semester. Incompletes not cleared within 1 semester are automatically converted to an F(Fail) by the University Admissions and Records Office. |
| MacGamut Computer Software |
| | As described elsewhere in this document, MacGamut is computer software you will use for independent ear training practice.
Some General Advice...
DO NOT LEAVE YOUR MacGamut WORK TO THE LAST WEEK OR TWO OF THE SEMESTER! Doing so will mean not only almost sure failure to receive full credit for the MacGamut component of the course, but will hinder your ability to receive full benefit from your other work in the class.
How Your MacGamut Work Gets Graded...
The total number of MacGamut levels you complete is divided by the total number of levels required for this class (that's 51 levels for Musicianship I); the result, expressed as a percentage, is applied to the MacGamut section of your semester grade.
- Example 1: student "A" completes all required levels (100%), and therefore receives full credit for the MacGamut requirement (10% of the semester grade).
- Example 2: student "B" completes 33 levels (65%), and therefore has her overall semester grade reduced by 3.5% (that could be the difference, for example, between a B+ and a B, or between an A- and a B+).
- Example 3: student "C" completes only 21 levels (41%), and therefore has his overall semester grade reduced by nearly 6% (typically that would mean two thirds of a grade, for example, B+ to B-).
- Example 4: student "D" turns in no MacGamut work, and therefore receives no credit; her semester grade is reduced by a full grade (A to B, A- to B-, B+ to C+, etc.).
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The bottom line: always turn in whatever MacGamut work you've completed, even if it isn't the total number of levels required. Turning in something instead of nothing can only help your semester grade!
Reporting Your MacGamut Work...
Deadlines will be announced by which you need to report your MacGamut work to the instructor. As noted above, you need an e-mail account to do this. As the deadline approaches, the instructor will provide specific instructions (for example, the e-mail address to which you must send your work). |
| Academic Integrity: |
| | By their nature and content, most music courses encourage collaborative work, which is to be expected and respected. However, work on assignments or projects which is clearly plagiarized, or for which the student intentionally misleads the instructor as to its origin, will not be tolerated. Refer to the University Catalog for information about the University's Student Conduct Code, and a description of disciplinary procedures resulting from violations of the code. |
| Concert Attendance Requirement: |
| | Attendance at 13 concerts is required to receive the lab portion of your grade (see How Grading Works, above). Of these, 9 must be Music Department events; the remaining 4 may (but do not need to be) be outside concerts.
On-Campus Concerts: Concert cards are collected at the door following most on-campus events. Look for the sign that states "Concert Cards Collected Here." No concert cards can be turned in after the event, not even to your musicianship teacher. Please do not ask. Forgetting your card(s) is not an excuse: you simply won't receive credit for that concert. So, plan ahead: bring a card–duplicate cards will not be available at the concert–and remember to turn it in at the conclusion of the concert.
Off-Campus Concerts: In order to receive credit for outside concert attendance, you must turn in a program and a ticket with your recital card to your musicianship Instructor within two weeks following the event.
Note: Concert Cards are not collected at some on-campus events; for those rare occasions, report your attendance as you would for an off-campus event.
Keep track of your Concert Card records online: in WebCT, select [MyGrades], look for [ConCards] and select the "View My ConCards" link to the right.
The Bottom Line: Plan for concert attendance–it is part of this course and part of your grade.
FIRST DATE FOR CONCERT ATTENDANCE:
Monday, August 23, 2004 |
| LAST DATE FOR CONCERT ATTENDANCE:
Sunday, December 5, 2004 |
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| Final Word: | |
It is each student's responsibility to know and follow the entire contents of this syllabus. |