California State University, Northridge Course Syllabus
Music DepartmentSpring Semester, 2004
Musicianship IV
 
Basic Info: MUS 212/L (2 units total)
MWF, 12:00–12:50pm, Rm. MU265

Instructor: Timothy Howard, DMA
E-mail: thoward@drmusic.com
On-campus phone: 818-677-3179
Office hours (MU227): TBA

Description: The three-year sequence of Musicianship classes (levels I–VI) provides a structured environment in which students develop the basic musical skills expected of those working toward the B.A. and B.M. degrees. The present class, Musicianship IV, continues the course of study begun in levels I, II and III. Focus areas at this level include music fundamentals, solfege and sight singing, rhythm performance, melodic and harmonic dictation, rhythmic dictation, basic conducting and structured improvisation.

Objectives:
  • Continue developing the ability to sing (both prepared and at sight) major, minor and medieval modes, including melodies containing chromatically altered pitches and modulations to closely related keys.
  • Continue developing the ability to perform rhythms in simple, compound and asymmetrical meters through three levels of subdivision using the rhythm syllable system.
  • Continue developing melodic, rhythmic, and intervallic dictation skills.
  • Continue developing conducting skills, including the ability to use patterns containing 2, 3, 4, 5, 6, 7, 9 and 12 pulses.
  • Continue developing harmonic dictation skills, including recognizing chord qualities, harmonic progressions and non-harmonic tones.
  • Continued development of structured improvisation using melodic, rhythmic, and harmonic patterns.
Expectations: "Prerequisite: MU211/L. Development of basic skills in music making, including ear training; sightsinging; melodic, rhythmic, and harmonic dictation; conducting exercises; and fundamental terminology. One hour lecture, Two hours lab." (University Catalog)

Music 214 (Harmony II) is a usual co- or prerequisite for this class. In addition, good keyboard skills are an enormous asset.

Required Course Materials (available in the Matador Bookstore):
TEXT: Musicianship IV Course Manual, California State University, Northridge
SOFTWARE: MacGAMUT Computer Program

Online Access:Some materials for this class will be delivered online. In general, you should be able to use any computer with an online connection. See About WebCT below for additional information.

Things to Bring to Each Class Meeting:
Musicianship IV Course Manual
Pencils with erasers

About WebCT: Some content for this course will be delivered online via WebCT (Web Course Tools), an set of online instructional tools. To access WebCT, use the WebCT Login page found at http://webteach.csun.edu/.

myWebCT is your personal WebCT portal page. All classes in which you're enrolled that are using WebCT will appear on your myWebCT page. (New for Spring 2004: All students officially enrolled in this class via SOLAR are automatically registered into WebCT as well. If this class does not appear on your myWebCT page, it means you're not enrolled for the class; your myWebCT page will be updated within a day after you enroll in the class.)

Things you'll find at the WebCT Homepage for this course include: your grades; your attendance records; your Concert Card records; an electronic version of this Syllabus; links to helpful off-site resources; Quiz and Test materials. Please note that all your personal records (grades, attendance, Concert Cards) are kept confidential by WebCT; no other students can see your grades or other confidential information.

Important: when Quiz or Test materials are posted online, you are responsible for getting to them by the announced deadline.

Grading Categories & Descriptions:
A.In-Class Solfege and Sight-Singing Performance15%
B.In-Class Rhythm Performance15%
Individual performances of solfege and rhythm examples. These should be prepared for the appropriate week with the policies listed below, unless otherwise instructed by your course instructor. Where applicable, you must follow all tempo, Curwen, conducting and other indications on the page. Performance order will be determined randomly.
C.Computer MacGAMUT Levels10%
MacGAMUT is computer software you will use for independent ear training practice. Each category of work (scales, melodic dictation, etc.) has levels of increasing difficulty. The chart at the front of your Musicianship IV Course Manual identifies the levels you must complete by the end of the semester; due dates are listed elsewhere in this Syllabus.
D.Quizzes (5)20%
Each of these quizzes may include dictation (melodic, rhythmic, harmonic), aural interval, chord qualities, and non-harmonic tone identification. Each quiz takes 15–20 minutes, typically at the beginning of a class period. The lowest score of the 5 will be dropped.
E.Written Tests (3)20%
Each of these tests take an entire class period and may include any dictation and/or identification components studied to date. The lowest score of the 3 will be dropped.
F.Individual Aural Tests (2)20%
Aural Test #1 (held midway through the semester) covers all solfege and rhythm reading exercises from weeks 1–8; Aural Test #2 (held during Finals week) contains all sight-singing and rhythm reading exercises from weeks 9–15. Each test includes examples of unprepared sight singing and rhythm reading material.

Grading Scale:
 
A+  93.00–100.00
A–  90.00–92.99
B+  87.00–89.99
B+  83.00–86.99
B–  80.00–82.99
C+  77.00–79.99
C+  73.00–76.99
C–  70.00–72.99
No grades of "D" are given,
except for attendance reasons

F+00.00–69.99
For additional information, see How Grading Works, below.

Calendar of Tests & Quizzes:
Quiz #1: February 13
Quiz #2: February 27
Quiz #3: March 19
Quiz #4: April 30
Quiz #5: May 14

Written Test #1: March 5
Written Test #2: April 16
Written Test #3: May 21
Aural Test #1: March 22–26
Aural Test #2: May 24–27
Calendar of MacGAMUT Due Dates:
Portions of MacGAMUT will be due three times during the semester, roughly corresponding to the three Test dates. How much you need to turn in each time depends on whether you're a continuing CSUN student or have transferred just this semester; refer to the following chart for details. Instructions on how to submit your work will be distributed well in advance of the first due date.

Date Continuing Students Transfer Students
March 7TBATBA
April 17TBATBA
May 24TBATBA

Typical Weekly Schedule (always subject to adjustment!):
Monday: Prepared Solfege Performance exercises due; some dictation work.
Wednesday: Prepared Rhythm Performance exercises due; some dictation work.
Friday: Finish up any pending Solfege or Rhythm performances; dictation work.

General Policies about In-Class Grade-Producing Work:
The nature of the CSUN Musicianship curriculum is such that a great deal of work, including many activities subject to grading, is done during class time. Therefore, faithful and on-time attendance is an extremely important component of the class. While the Music Department Attendance Policy (see below) specifies grade penalties for excessive absences, the following policies also apply to this class:
  • Weekly in-class performances (Solfege and Rhythms) are intended to be exactly that. It is not normally possible to make up in-class performances following an absence; it makes no difference whether the absence is "excused" or otherwise.
  • Quizzes and Tests. In-class quizzes and tests must be taken with the rest of the class when they are given; they cannot be made up after the fact. You may pre-arrange to take a quiz or test before your CSUN ensemble’s planned away date(s), but not upon your return. Arrangements for this accommodation must be made in a timely fashion before the expected absence.
  • Absences due to authorized school activities. If you must miss class because of an authorized school activity (e.g., ensemble performance), you are still responsible for any grade-producing activity (in-class performance, quiz, test) done during your absence. To that end, you have the option of arranging with the Instructor to fulfill the requirement prior to your absence; in such cases, you are responsible for making a timely request for this accommodation.
  • Any exception to these policies is at the sole discretion of the Instructor.
MacGAMUT Requirement:
Oh joy, oh rapture unimaginable!!!

OK, now that we have that out of our system: please, please, please--do not blow off the assigned MacGAMUT work! Some students have been under the misimpression that MacGAMUT is an all-or-nothing proposition (that is, that you must turn in the entire assigned body of work in order to receive any credit) and failed to turn in any MacGAMUT work. Not true!!! Whatever work you do is credited towards the MacGAMUT component of your semester grade. Believe it: it is in your best interest to turn in something rather than nothing!

Some General Advice regarding MacGamut:
DO NOT LEAVE YOUR MacGamut WORK TO THE LAST WEEK OR TWO OF THE SEMESTER! Doing so will mean not only almost sure failure to receive full credit for the MacGamut component of the course, but will hinder your ability to receive full benefit from your other work in the class.

If You've Not Used MacGamut Before...
In order to register your copy of MacGamut, you need an e-mail account; you'll also need one each time you report your work to the instructor. Nearly any e-mail account will do, including the free CSUN account you'll need to access WebCT (Hotmail, Yahoo and others work, too).

Unfortunately, the MacGamut software offers no way for you to start at any particular level; therefore, you need to start "Mastery Mode" at level 1 for each category. Since this is the fourth semester in the sequence, you'll have a fair amount of additional work to catch up with your classmates. The positive issue in all this is that since you have the skill to have tested directly into Musicianship IV, it should not be difficult–just a bit time-consuming–for you to complete the MacGamut work for the previous three semesters.

Music Department Attendance Policy:
Each absence in excess of 10% of total contact hours lowers the semester grade by one-third (+/-). Two "tardies" constitute one absence.

Academic Integrity:
By their nature and content, most music courses encourage collaborative work, which is to be expected and respected. However, work on assignments or projects which is clearly plagiarized, or for which the student intentionally misleads the instructor as to its origin, will not be tolerated.

How Grading Works in this Class:
You receive both a "class" grade and a "lab" grade for this course. The "class" grade is calculated using the Grading Categories & Descriptions and Grading Scale guidelines above, minus any attendance penalty. Assuming you complete your Concert Attendance Requirement (see below), you receive the same grade for the "lab" portion of the course.

If you do not fulfill the Concert Attendance Requirement, you will receive an Incomplete for the "lab" portion of the course. In order to clear this Incomplete, you must attend 13 concerts (yes, all 13–not just the balance of concerts you didn't already attend) during the next semester. No concert attendance is held over to the next semester. Incompletes not cleared within 12 months are automatically converted to a F(Fail) by the University Admissions and Records Office.

Concert Attendance Requirement:
Attendance at 13 concerts is required to receive the lab portion of your grade (see How Grading Works, above). Of these, 9 must be Music Department events; the remaining 4 may (but do not need to be) be outside concerts.

On-Campus Concerts: Concert cards are collected at the door following most on-campus events. Look for the sign that states "Concert Cards Collected Here." No concert cards can be turned in after the event, not even to your musicianship Instructor (please do not ask). Forgetting your card(s) is not an excuse: you simply won't receive credit for that concert. So, plan ahead: bring a card–duplicate cards will not be available at the concert–and remember to turn it in at the conclusion of the concert.

Off-Campus Concerts: In order to receive credit for outside concert attendance, you must turn in a program and a ticket with your recital card to your musicianship Instructor within two weeks following the event.

Note: Concert Cards are not collected at some on-campus events; for those rare occasions, report your attendance as you would for an off-campus event (though you'll still receive on-campus credit).

The Bottom Line: Plan for concert attendance–it is part of this course and your grade.

FIRST DATE FOR CONCERT ATTENDANCE:
Monday, February 2, 2004
LAST DATE FOR CONCERT ATTENDANCE:
Sunday, May 23, 2004
 

Final Word: You are responsible for knowing and following the entire contents of this syllabus.